Dra. Gabriela García
Gabriela García Hubard is full professor of Literary Theory in the Department of Hispanophone Literature at the National Autonomous University of Mexico (UNAM). She specialises in the work of Jacques Derrida and Samuel Beckett. García has recently initiated research on the different representations of female pleasure. She received her Ph. D. from the Université Paris 7, Denis Diderot, and has an M. A. from Goldsmiths College, University of London. García Hubard also has a B. A. in Spanish Language and Literature from UNAM.
Selected Publications
- “Quizás… Barthes y Derrida”. Acta Poética, UNAM. 40-1 Enero-Junio 2019. https://revistas-filologicas.unam.mx/acta-poetica/index.php/ap/article/view/846/1095
- “De la deconstrucción del autor a la plasticidad de la autora”, in ¿Qué es una autora? Encrucijadas entre género y autoría. Icaria, Barcelona, 2019.
- “Samuel Beckett un autor plástico: entre instalación y poesía”, in Samuel Beckett la mostración de lo inefable, Universidad de Guanajuato, 2015.
- “Le chaos: Comment c’est”. Samuel Beckett Today / Aujourd’hui. No. 25, 2013. https://www.jstor.org/stable/44018081?seq=1
- “Écho-graphie et précipitations beckettiennes dans Echo’s Bones: Ovide et Montale,” Samuel Beckett Today / Aujourd’hui, no. 23, 2011. https://www.jstor.org/stable/41699040?seq=1.
- “Les aphasies beckettiennes”, Beckett Today / Aujourd’hui, no. 20, 2008. https://www.jstor.org/stable/25781882?seq=1
- “‘Sa naissance fut sa perte’ et la perte son aporie: Heidegger / Beckett / Derrida,” Beckett Today / Aujourd’hui. Rodopi, no. 19, June 2008. https://www.jstor.org/stable/25781852?seq=1
- “Echo-graphic images: writing or piercing de visible”, Following Derrida: Legacies, Mosaic. A journal for the interdisciplinary study of literature, vol. 40, no. 2, June 2007. https://www.jstor.org/stable/44030240?seq=1
- “Esquisses de la suspension Beckettienne”, Interartes, year 6, no. 13, 2007.